All Lives Resonate Together, A Participatory Music Project "Earth ∞ Pieces" Launches! March 16th (Sta), 2024 ZO-NO-HANA TERRACE
A world where everyone can shine as themselves
"Earth ∞ Pieces" is a project that aims to create an unprecedented rendition of Beethoven's "Ode to Joy (Symphony No. 9)." A series of performances will take place leading up to 2030, the target year for Sustainable Development Goals (SDGs). Each performance is made one-of-a-kind through encounters and farewells of a diverse range of individuals.
The summary of the world premiere.
without subtitlesThe introduction of the world premiere.
This project was proposed and is supervised by Slow Label's Artistic Director Yoshie Kris, who also supervised the planning and direction of the Tokyo2020 Paralympic Games' Opening and Closing Ceremonies from a DE&I perspective. Following the closure of the Paralympics in 2021, Kris, who expressed a desire to go beyond the framework of "para," began conceptualizing this project in 2022. Joining her is musician Shuta Hasunuma, who, as the Music Director, provided and conducted music at the Paralympics Opening Ceremony.
SLOW LABEL
Artistic DirectorYoshie Kris
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Yoshie Kris studied art management at Tokyo Zokei University, and obtained a master’s degree in business design from Domus Academy in Italy. For over 25 years, she has been involved in citizen-participation art projects that connect people and communities from different fields, attempting social change through dialogue and collaborative processes. In 2010, she encountered the world of disability welfare due to osteosarcoma. The following year, she founded SLOW LABEL. As the general director of the Yokohama Paratriennale (2014-2020), she developed mechanisms for accessibility in stage and event production. For the Tokyo 2020 Paralympics Opening and Closing Ceremonies, she comprehensively supervised the planning, direction, choreography, casting, rehearsal operations, and commentary guides from a DE&I perspective. She received the 65th Yokohama Cultural Award "Culture and Arts Encouragement Award," and is a Thursday commentator on TBS’s "Hiruobi."
https://miracle.fanEarth ∞ Pieces
Music DirectorShuta Hasunuma
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Shuta Hasunuma was born in 1983 in Tokyo. Since forming the Shuta Hasunuma Phil, he has been involved in numerous music productions, including domestic and international music performances, as well as in film, theater, and dance. He also applies the method of "composition" to material expressions, creating sculptures, videos, installations, performances, workshops, and projects. His international activities are extensive, including serving as the grantee of the Asian Cultural Council (ACC) in 2013, and being appointed as the "Japan Cultural Envoy for East Asia" by the Agency for Cultural Affairs in 2017. Notable solo exhibitions include "Compositions" (Pioneer Works, New York / 2018) and " ~ ing" (Shiseido Gallery, Tokyo / 2018). He is a recipient of the 69th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize for New Artists. At the Tokyo 2020 Paralympics Opening Ceremony, he arranged the Paralympic Anthem and conducted the Para Orchestra, composed of musicians both with and without disabilities.
http://www.shutahasunuma.com/"Earth ∞ Pieces vol.1 World Premiere"
Event Guide
- Name
- Earth ∞ Pieces vol.1 World Premiere
- Date
- Saturday, March 16, 2024
- Time
- 14:30-17:00
(Public Time: Free admission, no reservation required)
19:00-20:30 (Premium Time: Paid admission, reservation required) - Venue
- ZOU-NO-HANA TERRACE
- Organizer
- NPO Slow Label
- Co-organizer
- ZOU-NO-HANA TERRACE,
Organizing Committee for Yokohama Triennale
The inaugural performance "Earth ∞ Pieces vol.1 World Premiere" will be announced as one of the public programs of the "8th Yokohama Triennale "Wild Grass: Our Lives" opening on Friday, March 15, 2024.
Schedule
Public Time
- 14:30-17:00
- Open Rehearsal
Players gather for the first time to perform together.
* Feel free to watch from the café area on the terrace.
Premium Time
- 18:30
- Doors Open
- 19:00
- Start
(Introduction of the project, Ensemble performance by the players, Networking) - 20:30
- Doors Close
- All talks will include Japanese-English interpretation and UD Talk (multilingual subtitles displayed on individual smartphones).
- The event will be filmed for media coverage and documentation purposes.
- Program details are subject to change.
Ticket
- Sold Out U25 Scholarship Seat for Shaping the Future ¥0
- Sold Out Players Seat for Engaging through Music ¥13,750
- Sold Out Mesena Seat for Collaborating on SDGs ¥150,000¥500,000
- Sold Out Supporters Seat with Special Benefits ¥13,750
- Sold Out Standing Ticket (General) ¥5,500
- Sold Out Standing Ticket (Student/Disability Discount) ¥3,500
- All prices include tax.
- All ticket types come with a complimentary drink and free viewing of TALK SALON 2 and 3 (Japanese language only).
- Students and individuals purchasing tickets with a disability discount must present a proof upon entry.
- Each ticket type will be sold until the planned quantity is reached.
The latest information about our activities will be announced on the official website or on the official X account for SLOW LABEL.
Our Social Action
The value of art in the new era, proposed by SLOW LABEL
This program aims to raise awareness of "Accessibility (Human Rights)" and "Sustainability (Environment)" throughout society, which unfolds through the hosting of a concert. It is a social action initiative aimed at incorporating unique efforts into various elements of the concert.
Support Musicians
- itoken
- Chiaki Miura
- Ryotaro Miyasaka
Players
- aoinuPerc.
- Yoshino IwakawaKal.
- EmoyanVn.
- KaoriKh.
- Ayase KamisawaVo.
- Showji KawasakiGt.
- Carrot yoshie.Lam.
- Yuina KoshioVo.
- Aya KobayashiVn.
- Yurie SaitoVo.
- SanochieVla.
- Shinnosuke SaharaTap.
- Akane ShimadaVc.
- Kosuke ShimadaVn.
- Kazuki TakashimaPerc.
- Shigeru TachikiVla.
- Yuki NakamuraVo.
- NonNonVn.
- HazukiFs.
- HaruVn.
- Sahara FujiwaraTsax.
- Yu MachiteraPerc.
- Meat SuzukiVo.
- Shota MiyakeAsax.
- Yasuo SaekiVla.
- Genshun YamanouchiGt.
- Yui WagoEuph.
- Kai WatanabeGt.
- Chihiro WatanabeVo.
Support
- Akira Iwasaki(DataMarket)
- Shizuka Kinoshita
- Tominaga Family☆
- Aya Hassegawa
- Yoshie Ota
- Nobutsugu
- Rin
- Nikam
- Yoko Hamada
- Masaki Kubota
- Ohisama
- Shigeru Ogawa
MC
- Yuka Funamoto
- Hiromi Komorita(English)
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Hiroko Oshima(Stage Designer, Image Nation Green)
Hiroko Oshima graduated from the Theatre Design Course at Central Saint Martins College of Art and Design, London Arts University, in 2000. In 2010, she participated in the Agency for Cultural Affairs' Overseas Study Program for Upcoming Artists and underwent training at theaters in Leipzig, Germany. She received the Encouragement Award at the 43rd Itosaku Prize for her costume design of "Yubu O," organized by the Matsumoto City Museum of Art. In September 2022, she presented a stage design using recyclable paper tubes in the performance "Soha Fukuno Iyoru Rutokoro" by the theater group En. In 2023, she conducted research on sustainable initiatives in European performing arts at the University of Lancaster, UK, as part of the Master's program in "Theatre for Social, Political, and Environmental Change."
https://hirokooshima.net/
https://www.greentheater.net/ -
NPO Mori no Oto
The certified nonprofit organization Mori no Oto aims to foster a society in harmony with local communities and nature, primarily focusing on community development in Aoba Ward, Yokohama City, where it is based. It promotes initiatives such as local production and consumption, cultivation of citizen writers, and support for community organizations in disseminating information. One of its projects, the "Meguru Nunoichi" (Revolving Cloth Market), collects unused fabrics and craft materials from across Japan through donations, refurbishes them, and resells them to new users. Through initiatives like hosting workshops in the community, Mori no Oto practices a circular economy approach.
https://applique.morinooto.jp/
https://morinooto.jp/ -
Ambientec
In July 2009, Ambientec Corporation was established as a unique portable lighting brand with a technical background in the development and manufacture of underwater photography equipment. The brand's design and development philosophy is aimed at users who wish to use high-quality products for as long as possible. The philosophy is not only evident in its high-quality lighting achieved through proprietary LED control technology, but also in the texture of the materials used and the distinctive designs created by leading designers. In pursuit of becoming an international brand, Ambientec shifted its new product announcements to Europe. In 2021, it unveiled three collections of new products, marking the first time for a Japanese lighting brand to be exhibited at the main venue of the Milan Salone (supersalone2021). In 2022, Ambientec was selected as the sponsor for the Milan Salone's "Gala Dinner" on the eve of the event, where 120 of its lamps illuminated the night before the 60th Milan Salone. In April 2023, the brand made its first appearance at "Euroluce / the International Lighting Exhibition," marking a significant milestone.
https://ambientec.co.jp/ -
Nami Nakayama(Lighting Designer)
In 1991, Nami Nakayama entered the Theater Research Institute affiliated with the Bungakuza Theater Company, and began working on stage lighting. In 1998, she participated in a training in New York as an Agency of Cultural Affairs overseas trainee. From 1997 to 2005, she participated in the Life Dance Workshop in Beijing. Since 2017, she has been working as a freelance artist, focusing on designing light and shadow in spaces for performances and exhibitions. Some recent projects she has been involved in include neji&co.'s "Corona Report," Space Knot Blank's "Words and Shakespeare's Birds," and Nobutsugu Omaki's "Interface of Being: Fluctuations in Vacuum Exhibition."
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minä perhonen
The brand was established in 1995 by designer Akira Minagawa. It is characterized by textile designs that primarily feature hand-drawn illustrations, created in collaboration with fabric producers across Japan, and inspired by natural landscapes and societal observations. Starting with clothing and gradually expanding into interior decors, the brand aims to create items that grow more beloved over time and that accompany daily life. "Minä" means "I" and "perhonen" means "butterfly" in Finnish, embodying the wish for the brand's beautiful designs to spread far and wide like the wings of a butterfly.
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Kumiko Takeda(Costume Designer)
After graduating from the Textile Design Department at Tama Art University, Kumiko Takeda pursued further studies in the United Kingdom. She completed her studies at the London College of Fashion's Costume Design Department/Graduate School, and began her career there. She has since been involved in costume design and production for various theaters. In 2012, she relocated her base to Japan, and expanded her activities to include costume support for the Tokyo 2020 Paralympic Games' Opening and Closing Ceremonies., She also designed costumes for productions such as "NINJA" by Koji Moriyama, operas at the Nissay Theatre including "The Magic Flute" and "Così fan tutte," and "Salome Kitan" at the Umeda Arts Theater, among others. She has also worked on costumes for advertisements and commercials.
https://kumikot7.com -
SLOW FACTORY for Mothers
SLOW LABEL has been running a program called "SLOW FACTORY" since 2012, which aims to provide opportunities for anyone to participate in enjoyable and easy crafting activities. In the midst of a mass-production and consumption society, SLOW FACTORY aims to offer a sense of fulfillment and satisfaction that humans instinctively seek, such as the joy of "creating things with one's hands" and "working together with others." This initiative particularly focuses on mothers who prioritize maintaining connections with society, which are often lost during caregiving and child-rearing.
- Momoko Ishihara
- Hiroko Ogawa
- Shioko Odagiri
- Chieko Kubota
- Kumiko Saito
- Mimi Shinko
- Tomoko Tanaka
- Ryoko Tominaga
- Naoko Hosoya
- Kazuko Shimizu
- Chihiro Mori
- Kumiko Yasumuro
- Noriko Yamamoto
005MECENATCorporate Support for Arts and Culture
We extend our gratitude to the companies that have supported this project as Mecenat partners.
HIRAKU Holdings
Corporation
These companies have embraced the vision of this project, contributing to the creation of a new ecosystem beyond national and industry boundaries, and aiming to achieve the SDGs through creative approaches. We have invited corporations, business leaders, and organizations who resonate with our project's vision, and are committed to achieving SDGs through creative approaches.
In recent years, reports from organizations such as the WHO have highlighted the beneficial impact of cultural arts on people's well-being. Moreover, the concept of "art thinking" has gained attention as a skill for navigating the VUCA era. To provide business professionals with opportunities to engage with artists and gain new inspiration and ideas, we have established a new participation category called the "Mesena Seat." This initiative aims to foster real exchanges between artists and those in the business community.
SEE MOREMecenat (French: mécénat) is the practice where corporations provide funding or services to support cultural and artistic activities.
007STAFF
- Stage Manager
- Takashi Kawachi
- PA/Sound Mix
- Toshihiko Kasai
- PA
- Satoko Kondo
Masumi Yamamoto
Yusuke Sawada
Tomomi Baba - Venue
- Satoshi Hashiguchi
Syuhei Yamamoto - Assistant Artistic Director
- Sayaka Hibi
- Mecenat Coordinator
- Akio Aoki
(MIRU DESIGN) - Production Manager
- Hiroko Higashino
Nobutaka Nakahara - Tie Production Manager
- Noriko Yamamoto
Kazuko Shimizu - Back Office Team
- Keiko Tada
Sawa Tsukahara
Aiko Hashizume
Yusuke Ide - Promotional Designer
- SAFARI.inc
- PR
- Suehyang Kim
- Web
- Yuta Tanaka
- Documentation Director
- Sachiko Namba
- Movie
- Hirofumi Nakamoto
- Movie Assistance
- Rikako Takahashi
Takahiro Minami - Photo
- 427FOTO
Background and Vision
SLOW LABEL has been implementing a variety of projects aiming to create a world of "diversity and harmony" through the power of art, and to bring back a "SLOW" sensibility to a society often preoccupied with productivity. Following the conclusion of the Tokyo 2020 Paralympics, we initiated new dialogues to disseminate the value of diversity to the wider society.
However, we often hear voices saying, "We recognize the need, but it’s difficult to put it into practice currently." Even when initiatives are undertaken, they largely depend on public funding, posing challenges in terms of sustainability. Furthermore, since the advent of COVID-19, unseen isolation and disparities have expanded amidst the unprecedentedly rapid technological evolution, leaving everyone burdened with stress and difficulty in living.
In our activities, we have strongly felt that "accessibility (human rights)" and "sustainability (environment)" are two sides of the same coin. A psychologically safe environment where diversity is respected allows everyone to express their creativity in their own way and to respect each other, thus reducing the risk of harassment and supporting mental health. We believe that this approach to fundamental well-being is the most essential driving force for sustained actions that are kind to both people and the planet.
A Community that can Contribute Eternally to the Well-being of Both People and the Planet
The aim of this project is to create a community (cultural ecosystem) that can contribute eternally to the well-being of both people and the planet, utilizing the power of art. Without being bound by existing industry structures or conventional wisdom, we are gathering domestic and international partners to nurture a "new culture" based on global ethical standards. Through the universally known "Ode to Joy," we aim to create interactions between people living in Japan and those from various cultures and values, distinguished by race, religion, nationality, etc. This initiative strives to be a pioneering model seeking a truly diverse and harmonious world, transcending all barriers.